A digital archive of artwork, ephemera and film.

“By making life more interesting for others, we may indirectly help to alleviate the human condition.” (N.E. Thing Co.)

About this Site
  • Michael de Courcy, Johnny Neon installation at Intermedia Nights, 1968
  • Toccata and Fugue: Choral Dance with Optical Counterpoint, Dance Syposium SFU, 1965
  • The New Alchemy, artscanada, June 1968 (page 10)
  • Michael de Courcy, Al Neil reading at the Vancouver Art Gallery, 1968
  • Al Neil, Beach Assemblage, Dollarton, 1960's to present
  • bill bissett, Barclay Street (as published in "fire in the tempul", 1984); Vancouver Art Gallery, 1969
  • How To Drive An Art Lover Dotty, Vancouver Sun, April 9, 1969
  • Carole Itter, Word Work, Series of 19 drawings, c. 1966 - 69
  • Al Neil, Beach Assemblage, Dollarton, 1972 to present
  • Chief Henry Speck, Kwigwis
  • Gordon Payne, One, 1965
  • Jack Dale, Audience member at an event at the Motion Studio, 1966
  • Al Neil, Rene Daumal Portrait #7, 1992
  • Pat McGuire, Haida Bear Mother, 1979
  • bill bissett, Awake in the Red Desert (back cover), 1968
  • Audrey Capel Doray, Icon, 1966
  • Joan Balzar, Fusion, 1967-1968
  • Carole Itter, Drawing, 1962
  • N.E. Thing Co., North American Time Zone Photo-VSI-Simultaneity, October 19, 1970
  • Ellen Neel, Tsonoqua Mash, 1960
  • Bodo Pfeiffer, Untitled, n.d.
  • Michael de Courcy, Tom Obsourne and his Fibre Optic Egg, 1969